LL
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导演:
史蒂夫·卡尔
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一位刚离婚的女人试图在卖掉房子搬家之前与家人度过最后一个圣诞节,但当她的前夫带着出色的新女友一起来过节时,问题接踵而来。
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布拉德·安德森
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Five years ago, a tear in the fabric of reality brought creatures to our world from an alternate dimension bent on our destruction. A father hides his daughter on an island to keep her safe while he prepares her for survival and the battles to come. But when the world is about to break, no place is safe.
导演:
乔纳森·英格里希
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在12世纪的英格兰,撒克逊人生活在诺曼人残酷的统治之下。其中就包括洛克斯利的罗伯特,他的父亲是一位护林员,他的家族被剥夺了祖传的家园,他的父亲也被诺丁汉郡长处决,他的生活从此破碎。罗伯特拥有一把长弓,他从悲痛中走出来,最终走向反抗,他的命运永远与玛丽安交织在一起,玛丽安是一位在对家族的忠诚和对他的爱之间左右为难的贵妇。随着紧张局势的加剧,罗伯召集了一群不法之徒——他们几乎没有共同点,但都拥有撒克逊血统,并且渴望反抗暴政。在舍伍德森林,他们与腐败和不公抗争,激怒了郡长、男爵和诺曼王室。最初的复仇之举最终演变成了更伟大的事业:罗宾汉的传奇,他象征着反抗,而他的抗争将决定英格兰的命运。
导演:
约翰·迈克菲尔
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The film, directed by John McPhail (Anna and the Apocalypse), tells the story of Dinah Little, a no- nonsense, curmudgeonly farmer, and Charlie, the unloved niece who Dinah begrudgingly takes in after discovering her in an orphanage. Dinah's farm is in the self-proclaimed "Pumpkin Capital of the World" where the biggest event of the year is a high-stakes, cutthroat giant-pumpkin-growing contest with an enormous cash prize. Charlie, who has a special bond with plants, decides to enter the competition where she and the other pumpkin growers face sabotage and a genetically engineered rival. As she nurtures her pumpkin ‘Peter’ and watches him grow, so does a bond between Dinah and Charlie.
导演:
阿什利·卫
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The Guest (4x60) is an addictive, fast-paced story that centres on the toxic and beguiling relationship between a successful business owner, Fran, and her employee, Ria.
Ria has never had the time or opportunity to think about what she might actually want from the world. So, when she starts cleaning for Fran, she’s intoxicated by this confident and self-assured woman who encour...
导演:
史蒂芬·考格内提
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Hell House LLC: Lineage will continue a deeper dive into the back stories of various characters within the franchise, while introducing new characters and storylines.
导演:
James Sunshine
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A corrupt senator arranges for the murder of his biggest liability, his erratic burnout step-daughter, only for her to unwittingly discover her natural talent as an untouchable killer.
导演:
William Bermudez,Sam Friedman
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“Beneath the Grass” is set in 2008, capturing both the economic recession and the “Yes We Can” summer, and follows a single Latina mother whose illegal marijuana business is jeopardized when her young son befriends the new neighbors, a young white boy and his police officer grandfather.
导演:
John Marrs
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Black cowboy Jim Kelly is known on the Texas frontier for killing cattle rustlers. When he befriends the widow of a murdered sharecropper and her daughter, Jim must decide whether to seek vengeance or leave behind a life of violence.
导演:
萨拉·弗里德兰
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八旬老人露丝(凯瑟琳·查尔方特饰)一直独居,但衰老的征兆已悄然显现:烤面包片被遗忘在沥水架上、面容时常陷入茫然、以现在时谈论逝者却对眼前的至亲(比如近在咫尺的儿子)浑然不识。她入住辅助生活机构,由此开启了一段奇异而超然的旅程——这正是萨拉·弗里德兰的长片处女作《熟悉的触碰》的核心叙事。该片在2024年威尼斯电影节地平线单元斩获三项大奖,包括"未来之狮"最佳处女作奖、最佳导演奖,以及查尔方特凭借惊人演技获得的最佳女演员奖。弗里德兰以犀利的真实感构筑戏剧张力,尽管题材沉重,影片却展现出罕见的叙事弹性:温柔、谦卑甚至荒诞的灵光时刻不时闪现,角色与创作者对露丝倾注的同理心贯穿始终。《熟悉的触碰》预示着一颗导演新星的诞生。该片由Music Box Films公司发行。
导演:
斯特法诺·索利马
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根据真实案件改编,1968年至1985年间,活跃在佛罗伦萨的连环杀手杀害了14名受害者,受害者通常是在郊外发生亲密关系的年轻情侣,该案至今未破。17 年的恐怖,震惊了整整一代人。
导演:
杰伊·罗奇
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艾薇(奥利维娅·科尔曼 Olivia Colman 饰)和西奥(本尼迪克特·康伯巴奇 Benedict Cumberbatch 饰)是一对表面幸福、实则危机四伏的中产夫妻。
他们有钱、有貌、有小孩,人生完美无死角……直到现实开始崩坏。
他失势、她崛起;爱情不再对等,成就变成武器,婚姻成了战场。
当爱不再是羁绊,而是竞争,家不再安全而是战场,你该如何处理枕边人。
导演:
詹姆斯·格利肯豪斯
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当夜色笼罩纽约,这里又变成了一座犯罪猖獗的城市。华人警察黄比利(成龙 饰)和同事来到酒吧庆祝来美十周年,不料同事却被一群闯入的劫匪杀死,愤怒的比利将凶手正法,因此激怒了上司,被惩罚性质的派到大亨沙比路的时装展上维持治安,表演期间,沙比路的女儿罗娜被一群人劫走,而沙比路的保镖宾尼事发前曾向香港打过多个电话,种种迹象表明,沙比路和香港头号毒枭高伟洛(乔宏 饰)有过合作,而二人产生争执可能导致这次的绑架。比利和搭档丹尼(丹尼·埃洛 Danny Aiello 饰)前往香港,在这里找到了高伟洛昔日两名合作伙伴李兴以及何天的女儿何美芳(叶倩文 饰),希望对方能够提供线索。高伟洛迅速派人追杀比利和丹尼,以及昔日的合作伙伴。比利冲破重重阻碍,查清了高伟洛的巢穴,带领搭档向高发起了猛攻……
导演:
Kelly Schilling
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A mother, a daughter and a stranger from another land are thrown together on an unexpected road trip that takes them on a journey of love, humour and redemption.
导演:
Pierre Tsigaridis
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From the creators of TWO WITCHES… a blend of elements from the hellbound genre with that of the slasher one to forge a fresh innovative concept in shock and increase the sensory impact. Employing multiple first-person point-of-view shots to immerse the audience in traumatic childhood experiences, the question is, why is little Mikey terrified of his mother? Maybe it’s because o...