Ga
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导演:
莫妮卡·米切尔
剧情:
柯尔爵士(乔什·怀特豪斯JoshWhitehouse饰)本是生活在中世纪的一名骑士,哪知道却被女巫做法,传送到了现代的俄亥俄州,此时的这里正值圣诞前夕,整个城市都洋溢着欢快的节日气氛。可是,这气氛却半点都没有感染到生活在这里的女教师布鲁奇(瓦妮莎·哈金斯VanessaHudgens饰),她刚刚离开一段失败的感情,整个人都被阴云所笼罩。在这样的情况下,不知所措的柯尔爵士和布鲁奇相遇了,善良的布鲁奇收留了无家可归的柯尔,教他如何在现代社会里生存下去,随着时间的推移,两人之间结下了真挚的友谊。柯尔爵士发现,自己被传送到现代,是为了完成某种使命的,只要完成任务,他就可以回到属于自己的年代。
导演:
Robert,Benayoun
剧情:
This film marks the directorial debut of Robert Benayoun. An artist (Richard Leduc) attending a party smokes some dope and develops the ability to see into the future and the past. He returns to his apartment where he sees the vision of a woman who had lived there 30 years ago. A friend tries to convince him it is his heightened sensitively as an artist that allows for the newfound abilities, but he soon has psychedelic hallucinations and his abilities increase with time. Stop-motion photography is effectively used in his sequence of visual experiences where the people exist but not the city in this metaphysical story.
导演:
Mitch Marcus
主演:
剧情:
《七宗罪》、《肖申克的救赎》、《惊天魔盗团》……你还在为这些电影震撼吗?摩根·弗里曼本人将带你去到世界上最臭名昭著的监狱里,了解一些著名的越狱事件!
导演:
大卫·柯南伯格
剧情:
加拿大导演戴维.克罗南伯格执导的本片,主要描写骇人听闻的疯狗病,受传染的人会口吐绿液,双眼发光,并且见人乱咬,几个小时后即不治而亡。美国著名的“性”星玛里琳.查姆伯丝扮演的罗丝小姐幼时曾患过疯狗病,因车祸受伤引起病毒复发,腋下竟然不可思议地长出一个嘴巴,而且内有一个可伸缩自如的肉刺,专用来插到别人身上吸血。于是,她在一个接一个吸别人血的同时,也把疯狗病迅速传播,使城市瞬间成为疯人满布的人间地狱…… 影片评价 仅仅就身体变异而言,克隆伯格的独特之处在于处处不忘对色情幻想进行扭曲,无论是《狂犬病》(Rabid)中女主角必须由腋下长出一只阴茎来对其阴道作出支撑,还是《录像带谋杀案》(Videodrome)中男主角长出阴道般的裂口,都是这种扭曲的必然,连录像带的转子,都像双乳一样扭动。《录像带谋杀案》其实还有一个原来设想的结局,就是一男(男主角麦克斯)两女(尼基和卞卡)合体,同时以各自的变异性器官相互绞缠吞噬。在《赤裸的午餐》(Naked lunch)中,那个最终撕开男性外皮露出女体乳房的总裁如果还不够刺激,等你意识到她的装束是女同施虐的标准配备,就会有格外的颤栗。
导演:
弗拉基米尔·博尔特科
主演:
剧情:
米哈伊尔·阿法纳西耶维奇·布尔加科夫1891年生于基辅,1940年逝世于莫斯科。世界文坛称他是一位思想深邃、以大无畏精神向一切邪恶挑战的文学大师。其代表作《狗心》、《白卫军》、《大师和玛格丽特》等曾被苏联当局查禁没收,或“默杀”。作家死后恢复名誉、苏联文坛两度掀起“布尔加科夫热”。现在他的作品进入现代经典之列,被誉为20世纪最伟大的文学珍品之一。 《狗心》作于一九二五年初,在文学圈子里获得一致好评,人们发现它确实尖锐地抨击了现实,但它抨击的是现实中的粗野、愚昧和荒廖。小说写一条狗因为做了人的脑垂体移植手术,突然成了有人外表的流氓,致使流氓习气随着脑垂体分泌的激素,渗入了取名沙里科夫的实验室怪物的每个细胞。沙里科夫的可怕不公在于他身上那些流氓无产者的劣性,并且在于他对社会主义的庸俗化.表面上看来,《狗心》很像一个科幻故事,但是实际上却有着反乌托邦小说的关于哲理和社会的深邃思考。 国际知名的医生菲利普·普列奥布拉任斯基教授,为了进行改善人种的优生学试验,把一个刚刚死去的行窃的酒鬼的脑垂体和睾丸移到一只叫沙里克的狗身上。沙里克竟变成了“还处于最低发展阶段的”人——沙里科夫。 这个能讲人言、衣食如人的衣冠禽兽,一天天显示出是一个怀着“一颗最为卑鄙龌龊的心”的败类:酗酒、偷窃、说谎、告密、无耻下流,直至栽脏陷害、用手枪威胁要强占教授的住宅。更有意味的是,这个狗“出身”的沙里科夫竟然被政府赏识而任命为莫斯科公共卫生局清除流窜动物科科长。他穿上了皮夹克(这是当时文学作品里革命者的形象模式),出入有专车——尽管是卡车。幸而两位“造物主”普列奥布拉任斯基教授和博尔缅塔尔大夫及时用手术把沙里科夫还原为沙里克,才没酿成惨祸。 在这篇小说里,布尔加科夫力究天人之际,思考着人与自然、人与社会的关系、人的能力限度以及人对于整个自然界的责任。实际上,布尔加科夫继续阐释着一个重大的主题:人不应该僭越,不应该觊觎全能的上帝的位置。这个上帝便是自然、社会的客观法则。试图超越社会、自然的进程,把科学变为破坏客观规律的迷信,狂热蛮干地“创造历史”,是不能不受到惩罚的。正如小说《不祥之蛋》中,佩尔西科夫教授虽然掌握了科学,却缺乏对人类社会的责任感,最后死于疯狂的群众的乱拳之下;而给人类社会带来可怖的厄运的洛克,急功近利而智力低下到根本谈不上什么责任感问题,却“带着官家的公文”,则是更为可怕的。 而在《狗心》中,国际首屈一指的名医菲利普·普列奥布拉任斯基教授空前绝后的完美手术只能创造出险些置其于死地的社会败类。普列奥布拉任斯基教授经受了自作自受的“科学实验”之后,终于觉悟道:“看吧,如果一个研究者不是摸着大自然的脉搏,与之共进,而是想加速问题的解决,揭开那神秘的帷幕,那么,就给你个沙里科夫尝尝,还让你吃不了兜着走。” 看来,人要充当上帝——造物主的角色,结果只能是对上帝的讽刺性模拟。干扰世界的客观进程最终只能落得搬起石头砸自己的脚的下场。
导演:
Brad Gustafson
主演:
剧情:
Introducing3agentsintheSydneypropertymarket;wefollowGavin,D'LeanneandSimonastheyhustle,negotiateanddeal-intheirquestforsuccess.
导演:
Kristina Buozyte,Bruno Samper
剧情:
At some point in the future the Earth’s ecosystem collapses. A tough 13-year-old called Vesper, whose father is paralysed, tries to get food for them wherever she can. When she finds a mysterious woman in the forest one day she starts to hope that things will change… Thanks to a combination of a unique artistic concept, strong performances from the cast, and an imaginative scor...
导演:
Jens,Ravn
剧情:
The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.
导演:
Hanns,Walter,Kornblum
剧情:
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
导演:
埃德加·G·乌默
剧情:
One of the five sci-fi's I remember every single detail of from my earliest days as a fan. For the genre, I think it's considerably above average. The moor is nicely atmospheric. There's one of every character in the book the good guy, the bad guy, the local sheriff, the lovely damsel, her father the old professor, etc. The scene where we're looking for the first time through the window of the ship and the visitor peeks out from the other side is easily as good as the three-fingered-hand-on-the-shoulder in War of the Worlds. Nice character to the visitor, for whom, like Karloff's Frankenstein, we end up feeling some empathy .
导演:
保罗·莱顿
剧情:
SetintheAmericanWestof1876,’R.I.P.D.2:RiseoftheDamed’isaspiritual(pardonthepun)sequelto2013’s’R.I.P.D.’SheriffRoyPulsipherisn’ttoothrilledaboutfindinghimselfdeadafterashootoutwithanotoriousoutlawgang,buthedoesgetasecondchancetoreturntoearthafterbeingrecruitedbytheR.I.P.D.(RestInPeaceDepartment.).ButavenginghisownmurdermayhavetotakeabackseattosavingtheworldwhenagatewaytohellisopenedintheoldminingtownofRedCreekthreateningnotonlythelocals...butallofhumanityitself.
导演:
丁度·巴拉斯
主演:
剧情:
幻想着靠卖淫来追求刺激的普通家庭主妇;在海边进行着性爱比赛的两对情侣;参与换妻游戏的荒唐夫妇;没穿底裤的美艳秘书等等。 某个导演(丁度·巴拉斯 Tinto Brass 饰)设立了一个对女性开放的私密信箱,随后收到了诸多女性关于性的信件,照片和录像,吐露了一个个埋藏在心底不为人知的的秘密。根据所收到的信件,导演拍摄了如上的诸多短片,即真实又有趣的反应了当代女性的处世态度。在让人眼花缭乱的直白又热烈的镜头后面,也隐藏了导演对于“性”这个禁忌的话题所抱有的坦陈而率真的态度,正是这种态度让丁度巴拉斯不仅仅是一个拍摄限制级影片的导演,同时也是一名“性”的艺术家。
导演:
罗曼·波兰斯基
剧情:
波利娜(西格妮·韦弗 Sigourney Weaver饰)曾经被一个男子施暴,被蒙着眼的她一直不知道罪人是谁,她的性格也变得神经兮兮。她的丈夫杰拉多(斯图尔特·威尔逊 Stuart Wilson饰)当选委员会主席后回到家中,就发现波利娜有着一些比平时更怪异的举动。她甚至把前来拜访的邻居米兰达(本·金斯利 Ben Kingsley饰)的车子推落山崖,凭着米兰达车里的磁带“死亡和处女”,以及米兰达的气味和呼吸,波利娜坚信,米兰达就是当时对她施暴的元凶。 她发了疯似的把米兰达绑在房间,要和丈夫一起审判这个罪犯。然而,米兰达分明有着确凿的不在场证据,这令丈夫也难以相信波利娜的认定。这一切是波利娜的幻觉,还是确有其事,这场审判会令真相一一浮出水面。
导演:
Steve,Gonsalves,Kendall,Whelpton
剧情:
A beautiful documentary telling the real story of a homeowner living with a haunting. Bridging the paranormal, real science and the human experience this documentary shows a detailed look at what could be the most haunted house in America.