Niel
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导演:
弗兰克·克拉斯
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19世纪后半期,科技发展持续推动着工业的进步。在伦敦,醉心发明的科学家福格(Steve Coogan 饰)经常进行疯狂的运输工具实验,尽管,他得不到皇家科学院的认可,只是一名业余爱好者,仆人也因过于危险的实验离他而去。来自中国的刘星(成龙 饰)为取回家乡的宝物“玉佛像”,打劫了英格兰银行。招来了英国警方与中国犯罪组织黑蝎集团的无休无止追捕,无奈之下只得化名“路路通”担任福格的仆人。 福格为取代古板不堪的科学院院长,赌上全部家当与前途,要在80天内环游世界。而路路通认为可借这次旅行将佛像送回家乡。两人出发后在巴黎遇见痴迷印象派的业余女画家罗切(Cécile De France 饰)要求同行,他们怀着不同的目的乘上“东方快车”号。虽然前路有土耳其王子(Arnold Schwarzenegger 饰)、黑蝎芳将军(莫文蔚 饰)与手下(吴彦祖 饰)的重重拦截,但怀揣梦想的三人不会畏惧任何险阻。
导演:
埃德·赫尔佐格
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在经历了一场疯狂的婚礼派对之后,喝的神志不清的艾博(塞巴斯蒂安·贝策尔 Sebastian Bezzel 饰)意外的被警察从酣睡中叫醒,一夜之间,他竟然从一名小镇警察沦为了凶杀案的嫌疑人,他被指控谋杀了名为巴什尔(弗兰西斯·富顿-史密斯 Francis Fulton-Smith 饰),因为在凶案现场,警方发现了艾博随身携带的小刀。 就这样,艾博不得不再一次的为洗清自己身上的嫌疑而展开了对案件的调查,和他一起奋斗的还有他的好友卢迪(西蒙·舒瓦茨 Simon Schwarz 饰)。随着调查的深入,巴什尔的妻子(诺拉·冯·瓦尔茨特滕 Nora von Waldstätten 饰)渐渐浮出了水面,这个美丽又性感的女人隐藏着不为人知的过去。
导演:
Daniel Benmayor
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凯姆(泰勒·洛特纳TaylorLautner饰)是一位正直善良的自行车快递员,然而,不幸的他却被卷入了巨大的黑帮债务之中无法脱身,为了抵债,凯姆不得不卖掉了自己心爱的自行车,然而,他的命运亦因为此举而发生了翻天覆地的变化。一次偶然中,凯姆遇见了名为尼基(玛莉·艾格洛蒲露丝MarieAvgeropoulos饰)的神秘女子,性感火辣的尼基很快就吸引了凯姆的注意,之后,凯姆加入了尼基所在的跑酷圈子,一扇通往新世界的大门就此打开。然而,没过多久,凯姆便发现,这个跑酷团体的真实身份其实是依靠偷窃珠宝为生的职业盗窃团伙,在知道了这一真相之后,凯姆会做出怎样的选择呢?
导演:
David Chameides
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Thisisabudgetactionfilm.Somepeopleseemtothinkthatlowbudgetmeansthatbadactingandworseactionscenesareexcusable.Anyonewhoseseenareallygoodbudgetmoviewillknowthatthere’sreallynoexcuse.Alldirectorshavetostartsomewhereofcourse,butthisdirectorwontbegoinganywhere,inmyopinion.Theactinginthisfilmistrulyawful.There’snotmuchIcansaytoredeemit.Themoodofthefilmflicksbetweenover-seriousandBennyhilltrashcomedy(anapparentattempttoreproducethecomedystyleofsomeJapaneseactionfilms,whichdoesn’twork).Thecarchasebeingagoodexample;whatthehelliswiththestupidmusicandunfunnyattemptsatcomedywhentherestofthefilmistryingtobeserious?!.Itmakesnosenseandgivesthefeelingthatthedirectorwaseitherhigh,acluelessstudent,orboth.Therearesomehotbabesinthefilmbutnowherenearhotenoughtomakethebadactingbearable.BasisaherotoanyfightingfanbutI’mafraidtosayhisappearanceissoshortIcan’tevenrecommendthefilmtohisdie-hardfans.Apreviousreviewerforgavethisfilm’smisgivingsgivingit8stars,andIcanunderstandthattherearetimeswhenbudgetmovie-trashissometimesagoodlaugh,buttherearesomanymuchbetterbudgetfilmsthanthisthatIcan’tfinditinmyhearttorecommendittoanyoneotherthanthedirectorsmum.
导演:
乔治·巴勒菲
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自殺不成的老婦人,屢次從頂樓一躍而下卻無法如願以償,只好再次跛腳步上公寓頂樓。每經過一層樓,便經過一段光怪陸離。七層樓,七種人生樣貌,詭異至極、毫無邏輯,以黑色幽默之姿一窺當代生活,笑看人性的虛偽及庸俗,笑到最後卻忍不住心底發毛。 匈牙利導演喬治帕爾菲二○○二年初試啼聲,便以處女作《田園風光》一炮而紅。其後的《百年癲狂》更顯瘋狂不羈,在坎城引發熱議。擅於揉合奇想與創意,以魔幻寫實著稱的喬治帕爾菲,新作《公寓瘋光》影像同樣奇幻詭譎,戲劇調度與剪輯美學更貼近夢境囈語。從喜劇、科幻到神話,從歡笑、驚悚到恐懼,在風格迥異的七部短片裡,導演也展現其對不同類型的遊刃有餘。
导演:
GeoffKlein
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为筹集资金,某大学女子足球队的女孩们在不靠谱的布莱克(塔瑞克·加德 Tarek Gader 饰)的号召下,身着比基尼来到位于小镇边缘的废弃加油站提供擦车服务。然而此地荒凉,杳无人烟,偏巧他们搭乘的校车巴士出了故障。女孩们无计可施,只得将错就错在这里招揽生意。阳光明媚,万里无云,衣着火辣的女孩们尽情舞动着曼妙的身姿,青春性感的气息晃耀夺目,全然没有意识到隐藏在暗处的危险。 日薄西山,巴士终于修好。正当女孩们准备返程时,却发现布莱克不见了踪影。为了寻找伙伴,她们被迫在此停留,而伙伴们则一个接一个消失。隐藏在加油站中的杀人恶魔,在夜晚展开了疯狂的狩猎……
导演:
Robert,Benayoun
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This film marks the directorial debut of Robert Benayoun. An artist (Richard Leduc) attending a party smokes some dope and develops the ability to see into the future and the past. He returns to his apartment where he sees the vision of a woman who had lived there 30 years ago. A friend tries to convince him it is his heightened sensitively as an artist that allows for the newfound abilities, but he soon has psychedelic hallucinations and his abilities increase with time. Stop-motion photography is effectively used in his sequence of visual experiences where the people exist but not the city in this metaphysical story.
导演:
Brad Gustafson
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Introducing3agentsintheSydneypropertymarket;wefollowGavin,D'LeanneandSimonastheyhustle,negotiateanddeal-intheirquestforsuccess.
导演:
伊莱·罗斯
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帕克斯顿(杰伊·赫尔南德兹 Jay Hernandez饰)和乔什(德里克·理查德森 Derek Richardson饰)是大学同窗好友,二人为了摆脱枯燥的校园生活,决定前往东欧进行一次刺激的旅行。两人于是当起了背包族,还遇上了同道中人奥利(艾瑟·古庄森Eythor Gudjonsson饰)结伴同行,寻欢作乐。 听到斯洛伐克有一个小镇,是个香艳的天堂,美女秀色可餐,几个年轻人就糊里糊涂踏上了火车,来到这个想象中的乐园。在这里,美女让他们一夜销魂,然而可怕的事情却接二连三。他们将会发现,此处并不是他们的游乐场,而是一个难逃生天的地狱。奥利的失踪,更让胆小的乔什意识到,恐怖的事件拉开帷幕了。
导演:
Daniel Robinette
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In the film set miles from civilization, a blind teenager and the hunter he befriends are tormented by a mysterious creature lurking in the woods.
导演:
Daniel,de,la,Vega,Pablo,Parés
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Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.